The Bahá'í House of Worship in Delhi, India, popularly known as the Lotus Temple due to its flowerlike shape, is a Bahá'í House of Worship and also a prominent attraction in Delhi. It was completed in 1986 and serves as the Mother Temple of the Indian subcontinent. It has won numerous architectural awards and been featured in hundreds of newspaper and magazine articles.
All Bahá'í Houses of Worship, including the Lotus Temple, share certain architectural elements, some of which are specified by Bahá'í scripture. `Abdu'l-Bahá, the son of the founder of the religion, stipulated that an essential architectural character of a House of Worship be that it requires to have a nine-sided circular shape Inspired by the lotus flower, its design is composed of 27 free-standing marble clad "petals" arranged in clusters of three to form nine sides. While all current Bahá'í Houses of Worship have a dome, they are not regarded as an essential part of their architecture. Bahá'í scripture also states that no pictures, statues or images be displayed within the House of Worship and no pulpits or altars be incorporated as an architectural feature (readers may stand behind simple portable lecture stands). The nine doors of the Lotus Temple open onto a central hall, capable of holding up to 2,500 people. The central hall is slightly more than 40 meters talland its surface is made of white marble. The white marbles are from Penteli mountain in Greece, the very same from which many of the ancient monuments were built and also many other Bahai temples. The House of Worship, along with the nine surrounding ponds and the gardens around comprise 26 acres (105,000 m²; 10.5 ha).
The site is in the village of Bahapur, in the National Capital Territory of Delhi. The architect was an Iranian, who now lives in Canada, named Fariborz Sahba. He was approached in 1976 to design it, later oversaw its construction and saved money from the construction budget to build a greenhouse to study which indigenous plants and flowers would be appropriate for the site. The major part of the funds needed to buy this land was donated by Ardishír Rustampúr of Hyderabad, who gave his entire life savings for this purpose in 1953
AWARDS
All Bahá'í Houses of Worship, including the Lotus Temple, share certain architectural elements, some of which are specified by Bahá'í scripture. `Abdu'l-Bahá, the son of the founder of the religion, stipulated that an essential architectural character of a House of Worship be that it requires to have a nine-sided circular shape Inspired by the lotus flower, its design is composed of 27 free-standing marble clad "petals" arranged in clusters of three to form nine sides. While all current Bahá'í Houses of Worship have a dome, they are not regarded as an essential part of their architecture. Bahá'í scripture also states that no pictures, statues or images be displayed within the House of Worship and no pulpits or altars be incorporated as an architectural feature (readers may stand behind simple portable lecture stands). The nine doors of the Lotus Temple open onto a central hall, capable of holding up to 2,500 people. The central hall is slightly more than 40 meters talland its surface is made of white marble. The white marbles are from Penteli mountain in Greece, the very same from which many of the ancient monuments were built and also many other Bahai temples. The House of Worship, along with the nine surrounding ponds and the gardens around comprise 26 acres (105,000 m²; 10.5 ha).
The site is in the village of Bahapur, in the National Capital Territory of Delhi. The architect was an Iranian, who now lives in Canada, named Fariborz Sahba. He was approached in 1976 to design it, later oversaw its construction and saved money from the construction budget to build a greenhouse to study which indigenous plants and flowers would be appropriate for the site. The major part of the funds needed to buy this land was donated by Ardishír Rustampúr of Hyderabad, who gave his entire life savings for this purpose in 1953
AWARDS
- 1987, the Architect of the Bahá'í House of Worship, Mr. Fariborz Sahba an Iranian born was presented the award for excellence in religious art and architecture by the UK-based Institution of Structural Engineers for producing a building "so emulating the beauty of a flower and so striking in its visual impact".
- 1987, the Interfaith Forum on Religion, Art and Architecture, Affiliate of the American Institute of Architects, Washington, D.C., gave their First Honour award for "Excellence in Religious Art and Architecture" 1987 to Mr. F. Sahba for the design of the Bahá'í House of Worship near New Delhi.
- 1988, the Illuminating Engineering Society of North America conferred the Paul Waterbury Outdoor Lighting Design Award - Special Citation for Exterior Lighting
- 1989, the Temple received an award from the Maharashtra-India Chapter of the American Concrete Institute for "excellence in a concrete structure".
- 1994 edition of Encyclopaedia Britannica, in its 'Architecture' section gives recognition to the Temple as an outstanding achievement of the time.
- 2000, Architectural Society of China as one of 100 canonical works of the 20th century in the recently published "World Architecture 1900-2000: A Critical Mosaic, Volume Eight, South Asia."
- 2000, GlobArt Academy in Vienna presented its "GlobArt Academy 2000" award to the architect of the Lotus Temple, Fariborz Sahba, for "the magnitude of the service of [this] Taj Mahal of the 20th century in promoting the unity and harmony of people of all nations, religions and social strata, to an extent unsurpassed by any other architectural monument worldwide."
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